JENNY JIYOUNG HAN | THE THEORY OF ART

THE THEORY OF ART
BY JENNY JIYOUNG HAN

“How could we relate to nature physically, emotionally, and spiritually? What is the lasting artistic vitality of our modern-day world that could replace the current tradition in Art?”

The word, Beautiful, contains a broad range of meaning behind the shape of the word itself. Perhaps, we thrive from conjuring up a vision of perfect morality or perfect plasticity on the theory of happiness. We imagine the new hopeful state of affairs that could invent the right actions, beliefs, and desires to explain righteousness without self-contradictory or fragmented and ossified some forceful systems. (Which could almost lead to vandalism.)
Our minds come spontaneously to make a frame of sudden depths in an unexpected discovery that surprises us with how it shapes the course of our lives. The shapes of the mind are consisted of laying down the trace of our different thoughts and performing from the patterns of our past involvements of actions toward beliefs. That makes us unique states of ‘Beautiful’ indeed. It means that Art is subject to systematic and all-perversive illusions into conquering the answers toward the perpetual meanings of what makes something Art. That translates into the forms of many different styles of Art, such as Abstract Art, Minimalism, Conceptual Art, Hyperrealism, Surrealism, etc.
But what if we can envision our states of consciousness as the harmoniously balanced and perfect absence of the disruption of human beings concerning non-categorizing social structures? Nature has some ranges of concepts that strictly segregates from the cultural constructs that emerge within the erroneous world. Nature doesn’t dominate the universal system, not forcibly muster or margin into a particular order. It only lets all aspects lay juxtaposed with a perfect mingling of circumstances. It seems not a melting pot containing one new version without a clear appearance of the substance from which all things are being.

The chosen digital 2D format equally represents the copy of our natural system that absorbs a direct order and chaos spontaneously with good compatibility. Typically, digitally-driven-artistic projects mirror purely rational chains of notions into efficient, driven ideas. That helps to control my impulse from scattering thoughts that had capitulated in my brain and gives me so much freedom to act through my hands under effective digital control during painting digitally. I have been trying to integrate as much together previous artistic theories and aesthetics containing different stories within the existing art movements.
I adore nature, typically flowers and plants, which provide many different languages of meaning behind their looks and smells: joyfulness, faithfulness, and magnificence of the sensory thrill that captures my mind every moment. Nature, as likely systematic as a perpetual platform, will the rigidness and essential ideas of happiness as
a long-lasting domain powerfully reflect? How could we relate to nature physically, emotionally, and spiritually? What is the lasting artistic vitality of our modern-day world that could replace the current tradition in Art?

“It is like juxtaposing all different values into one that presents the extended reality at a psychological intersection.”

JENNY JIYOUNG HAN

Jenny Jiyoung Han is originally from South Korea, graduated from the London College of Fashion, and has gained international recognition through digital painting since Covid hit the world.
She has worked at making an inter-bridge between human minds alongside taking some whimsical abstract or characterized objects with cartoon-like illustrated resources into one 2D digital format. It is like juxtaposing all different values into one that presents the extended reality at a psychological intersection. Typically, her adoration of the sunflower became her loveable symbol of creation.
Every piece of her artwork has been set as a range of sunflower series that explains the personal depiction of human life story. Sunflower represents multiple creations that contain the validity of recreational meanings beyond what the eyes see in the world. All the floral associations depict sunflowers, but with every aspect of details, consciously and unconsciously using all packages her skills, both for redefining figurative and abstract languages with color theory and expressing inner-self into the particular natural object.

Currently, Han is grateful to see the world with possible integration by exploring her ideas and sharing her version of extended reality to show.
She wants to invite you to the level. of excitement by understanding our subconscious minds too. See more happiness in our lives. Her work has quickly drawn. Interest from several galleries and social media to get featured worldwide. And her successful art residency program completed at Carrie Able Gallery turned her images into a big and bright future ahead of her art journey.

THE THEORY OF ART

Jenny Jiyoung Han used to take an enormous interest in talking about abstract emotions, turning them into creative works of Art from a humanitarian perspective.
Her ultimate question was how people create the world within their original functionings in social organizations or domains.
Her unique character thought, coming from the most stabilized Korean mentality, polluted with conservative mapping thought-expending process, had created her into a demonstrational behavior set must appear for the main reason her passion get more recognized. The hallmarks of the brilliant mind with an independent complexity in hearty dignity can forbid the hindrance of challenging the bottom line of the safety net. It has been a long-distance journey to get on with what she imagines to represent her best self.
Creativity has the rigid thought of powerful establishment in those with specialized brain functions. People think, especially in the conservative society in South Korea, that creativity is something beyond untowardness, covered by novel images to attract people. It is a substantial difficulty for them to understand to apply ambiguous and abstractive standards as a form of creativity. However, she strongly feels that the sensation within the creative domain exists from generalized libidinal energy on a person’s passion. Therefore, it is more likely to have the willpower to handle untowardness to uniqueness under the criteria of philosophical firmness.

Extending the purview of creativity beyond nature and culture to include the processes and shaping of the material universe allows us to envision the creative mentality itself for a generative multiplicity. Developing a unique Identity
as originality is a challenge, and only a few would have come a whole circle to say the above. But, she has been building throughout her experience and level of investment in time and travel. She hopes to share the beautiful path of life story with some understanding people who can embrace creative goals and norms that enhance their enjoyment of life. She believes there is always a strong possibility of getting recognized with a chain of successful life stories within understanding better the humanistic side of values.

See the full article in Art Market Magazine Issue #79